Previous Exhibitions
Earth and All Stars
Art by Westminster Members
Arches National Park, by Barbara LaValleur, photograph
The exhibition Earth and All Stars features a delightful variety of art made by Westminster members. The theme was derived from the hymn Earth and All Stars written by Herbert Frederick Brokering in 1964; this hymn may be found in The Presbyterian Hymnal #458. Visitors to the Westminster Gallery will find photographs, paintings, and sculptural
creations that amuse, inform and inspire.

Mother With Child, by Judith Barron Maciag, sculpted walnut

Splendor in the Night, by John Heefner, acrylic on canvasette
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Earth and All Stars
Earth and all stars, Loud rushing planets
Sing to the Lord a new song!
Hail, wind and rain, loud blowing snowstorm
Sing to the Lord a new song!
God has done marvelous things.
We sing praises with a new song!
Steel and machines, Loud pounding hammers
Sing to the Lord a new song!
Limestone and beams, loud building workers
Sing to the Lord a new song!
God has done marvelous things.
We sing praises with a new song!
Classrooms and labs, Loud boiling test tubes
Sing to the Lord a new song!
Athlete and band, loud cheering people
Sing to the Lord a new song!
God has done marvelous things.
We sing praises with a new song!
Knowledge and truth, Loud sounding wisdom
Sing to the Lord a new song!
Daughter and son, loud praying members
Sing to the Lord a new song!
God has done marvelous things.
We sing praises with a new song!
Text by Herbert Frederick Brokering, 1964
The Presbyterian Hymnal #458
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Solitude, by Betty Heefner, oil on panel

Reflections of Love, by Tori Carter
paint and dry brush on paper

Blue Fantasy, by Robert Olson, photograph
Redeemed by the Resurrection

Washing the Feet, artist unknown, oil on panel
possibly Spanish, 19th c. or earlier
The exhibition Redeemed by the Resurrection chronicles the progression of events during Holy Week, beginning with the entry into Jerusalem on Palm Sunday and through the ascension of Jesus. Encountering this short period of time takes us on an emotional rollercoaster ride as we celebrate the triumphal entry into the city complete with waving palm branches and shouts of “Hosanna!”

Judas' Kiss, by August Mölder, etching, 1966
For the sum of thirty pieces of silver, Judas betrays Jesus, triggering His arrest and trial. Jesus is crucified in the traditional manner by being hung on a cross to die, along with two common criminals. He is buried and on the third day a group of women come to visit his tomb and discover it empty. His resurrection is the key to our salvation from our earthly life and the promise of eternal life.

untitled, by Jan Rutherford Shoger
woodblock print, undated
It is quite a journey for us as observers in the twenty-first century, certainly different than that of the people present as the events unfolded. There is joy and deep sorrow. Knowing the ultimate outcome does not necessarily lessen the weight of the struggle and agony of the week. We observe the period of lent much as we do advent - in waiting. We have come through the period of waiting for the arrival and birth of Jesus with anticipation. Now we turn our attention to a more somber time of reflection and preparation. Hopefully, the selection of images presented in this exhibition will guide you in your meditative journey to Easter.

Ascension, by Joan Bohlig, etching, 1995
A Festival of Nine Lessons and Carols
Nativity, attributed to the school of Lorenzo de Credi, oil on panel
16th or 17th century, Italy
A Festival of Nine Lessons and Carols has become a traditional part of Advent observations in the years since it was first performed at Kings College, Cambridge, England in 1918. This service is heard by millions of radio listeners; the King James text and an ever changing selection of carols and hymns are read and sung in churches and concert halls around the world.
This exhibition presents A Festival of Nine Lessons and Carols as transformed from a spoken and sung experience to a visual representation with original art from the Westminster Collection and printed text of the lessons and music. Listen for the story and melody as you engage the text.

Life and Light, by Kirsten Malcolm Berry
watercolor, commissioned for this exhibition
Westminster members Cathie and Jerry Fischer are guest exhibition curators.
Special Exhibition at The University of St. Thomas
A Season of Joy: The Nativity in Global Perspective
Lecture: Friday, December 4, 2009, 7 pm
The Crèche in Many Languages, by Rodney Allen Schwartz
Reception Follows

Christmas Card Design by Timothy Trent Blade
This exhibition is part of the University of St. Thomas 2009 Sacred Arts Festival, Call to Prayer: A Global Yearning. The exhibition features crèches from the Martha Spencer Rogers Crèche Collection and the Christmas card designs of Timothy Trent Blade.

Bolivian Crèche